Monday, May 30, 2011

Derne Manor IV

      We returned upstairs. “The bed's yours,” I said, shutting the door behind me.

      “It's... mine?”

      “All yours. Sleep well.”

      Saoirse slid into the bed and sighed. She struggled with the blanket for a moment before curling into a ball and falling asleep. I drew the curtains closed and sat against the side of my bed. My eyes closed.

–

      “Anthony!” whispered a voice.

      I mumbled unintelligibly and looked around in a daze. My room was dark, except for a dim red light on my nightstand: my alarm clock. It read 10:43.

      “Anthony!” I heard again. I craned my neck around to see Saoirse, wide-eyed and pale in the red glow of the clock.

      “What's wrong?”

      “I heard a sound.”

     I cupped an ear and heard footsteps. They grew louder, but were still fairly quiet. Light seeped under the door with the click! of a switch. The light went out again after a short while. “It's just my mother.” Saoirse let out a sigh of relief and laid back on the bed.

      “We have a long night to go,” I said. There was no response. I twisted around again and saw that, like the light outside my room, she had returned to her rest in short order. I nearly reached over to wake her, until I saw a light smile on her face. She was more peaceful than silence itself – I couldn't bring myself to disturb that.

      Instead, I recruited a deck of cards and a flashlight to wait out the night with me.

–

      After several games of solitaire, houses of cards, and what could only have been a miracle, the clock turned to 8:00. I heard the door open and shut as my mother left for work. The car started and faded off into the distance. Saoirse was still sleeping soundly, but I figured I would wake her.

      I knelt at the side of the bed and whispered her name. She stirred a bit, but didn't open her eyes. I reached a hand onto her shoulder. “Saoirse, wake up.”
      Her eyes opened now. “Oh, it was adream.” She sounded disappointed.

      “What happened in your dream?”

     “I saw my parents. I was little again. We were in our old home.”
 
     “Why don't you live with them?”

     With a regretful expression, Saoirse prepared to answer.

Tuesday, May 3, 2011

Soldiers' Lament

 “I used to believe in my freedom,
and I used to believe in the war.
But I fell, with my allies, into prison,
where we screamed, through the torture, 'no more!'”

“I used to believe in my freedom,
and I came here to settle a score.
But I've cried every night for my children
hoping they'd miss me no more.”

“I used to believe in my freedom
when I heard the battlefield's roar.
But I could not muster the courage
to raise my rifle anymore.”

The whispers of soldiers carried
through hallways of steel and stone.
Their memories wasted with their bodies
from blood to broken bones.

Trials by fire and landmines
left scars on both flesh and land.
Allies left dying in the forests
resided in better hands.

“I used to believe in my country
when I left her glorious shores,
but now my belief is dying;
I have faith in my country no more.”

“I used to believe in my country –
in the glorified tales of war.
But the stories I heard were dishonest
and I believe in them no more.”

“I used to believe in my country
until I came through that door.
I'm shackled and locked in this cell,
and help will be coming no more.”

One by one they faded
as they reached the end of their tour.
They died in a foreign nation
and chanted their lament no more.

Then the guards gathered 'round them in a chorus,
and they summoned their voices in song.
They chanted a wicked, sneering verse
and bade their prisoners so long:

“You used to believe in your freedom,
and you thought you could take on a war!
But you sobbed to your hands like cowards:
'I believe in my country no more.'”

Tuesday, April 12, 2011

Chapter III (Derne Manor)

      Saoirse looked down for a moment before looking me in the eye again. “Could you tell me your name?”

     I stumbled with my thoughts. A few hours with this girl and I hadn’t even thought to give my name. “Anthony,” I replied.

      “Thank you, Anthony,” she said, bowing her head.

      “You're welcome.” The room fell silent. I looked around for a moment, and avoided her eyes. The weight of our situation finally hit me.

      “Wh-what's wrong?” she asked. I let my worry show.

      “Nothing, nothing at all,” I lied. My eyes came back to her. For the first time, I noticed her clothing – gray, nondescript. The edges and seams were frayed; collars and sleeves, torn. Her pants were worn at the knees and ripped near the top – the pockets had been torn off. “ We ought to find you some actual clothes.”

      I led Saoirse upstairs. She still clung to my shoulder like she had in the manor. While we ascended, I considered taking some clothes from my mother's wardrobe, but she might've suspected something if her clothes went missing. Instead, I searched my own dresser, and dredged up some older clothes from the bottom: an old T-shirt a few sizes too small for me, and a pair of cotton shorts with strings.

      “I'd provide something a bit more... uh, feminine, but this is all I can do.” I unfolded the clothes and laid them out on my bed, and paused awkwardly for a moment. “I'll just... leave you to it.” As Saoirse examined the outfit I'd given her, I left the room and shut the door behind me.

      Tick, tick whispered the clock on the wall. The hands read four o'clock. Considering the fact my mother would be working late, I didn't know how long she'd be gone. Perhaps until nine or ten. I thought it would be best if Saoirse slept some. I couldn't risk her waking up in a nightmare while my mother was home.

      I heard the doorknob click behind me; the hinges squeaked with the sound of a door being opened cautiously. I turned to find that even my ill-fitting clothing hung over Saoirse's neglected frame with room to spare. Shorts that would normally just barely reached my kneecaps reached about halfway between her kneecaps and ankles. The strings were tied in a large double knot at the front to keep the shorts on her hips. The shirt suited her a bit better, but still extended a noticeable length down her thighs. I smiled a bit. “It'll have to do for now.” Saoirse smiled slightly in return.

      We avoided each other's eyes for a moment, until Saoirse spoke up: “Could I have a glass of water?”

      “Of course,” I replied. We returned to the kitchen. She sipped gratefully from the glass like she had from the bowl of soup. I took her silence as an opportunity to say what was on my mind.

      “I think we need to go to sleep soon.”

      “Why?” Saoirse asked with wary curiosity.

      “You're nightmare. I can't reveal you to my mother right now. If you and I sleep earlier, then we'll be able to stay up through the night while my mother's home. If you have another nightmare, then you'll be less likely to wake her with your screaming.”

      Tears welled up in her eyes; her head bowed. “Screaming isn't allowed in the manor. I'm sorry...”

      “N-no! No. That's not what I meant!” It was too late, though. She turned away and hid her face with her hands.

      “I'm sorry,” she whimpered. “I'm not allowed to scream.”

      I took a step closer to her. “Saoirse, it's okay.” Again, she turned away. More sounds of crying.

      “No, it's not. It's not okay to scream in the manor.”

      “You're not in the manor anymore.” She didn't listen, it seemed; she just kept weeping. Her voice murmured more words from the manor with a timid, fearful tone.
“Saoirse,” I said as I rested my hand on her shoulder. She jumped with a yelp. I turned her around, and lifted her face toward mine. My hands cupped her cheeks, and my thumbs rested on her cheekbones.

      “I'm sor–” she began.

      “No. I'm sorry.” My hands fell from her face and wrapped around her back. She rested her head on my chest. I slowly ran a hand up and down her back.

      “It's not your fault.”

--
Updated 4/21

Friday, April 8, 2011

Breaking the Dam (Derne Manor)

     The girl began screaming in her sleep. I jolted out of my patient reverie and hurried across the room to her side. She thrashed around – a few pillows fell to the floor, and a nearby lamp rocked precariously before settling back into place. I caught her arms and whispered, “You're safe, shh.”

     Her flailing slowed back into relaxation, but her eyes and mouth were wide open, begging for relief and for air. I held her hand and stroked her knuckles with my thumb.

      Tears welled up in her eyes and trickled across her face. I brushed loose hairs from her brow, and swept a tear off her cheek with my free hand. She fought the tears back to choke out a few words, “I- I'm sorry.”

      Her words puzzled me. “Did she just apologize for having a nightmare?” I thought. Her head turned away in shame. “No, don't apologize. Talk to me, what's wrong?”

      She drew a deep, shaky breath. With her face obscured by a cushion, she spoke her fears in a panicked voice: “I dreamed I was still at the manor. The screaming... screaming isn't allowed at the manor.” She suppressed a few sobs, and tried to wipe her tears away, but to no avail: they only kept flowing, like fresh blood from an open wound.

      I noticed again her scars and wounds, and I saw her tears cutting lines into her face. It felt like watching someone die, like watching an already cracked and broken stone crumble into dust. “It's okay,” I whispered as I tilted her chin back toward me, and our eyes met. “You're safe.”

      “No, I'm not. I'm not safe,” she sobbed. “They'll find me, a-and then they'll –”

      I hushed her with a finger over her lips. “Shh. Don't cry; don't worry.” I slipped an arm behind her back and propped her up to a sitting position. She buried her face in her hands and locked her elbows to her knees. I wrapped an arm around her shoulders and did my best to ease her doubts.

      Eventually she ran dry, and just sat silently, shivering a bit. I pulled the couch blanket around her, and inquired, “feeling any better?” With her head still in her hands, she shook her head.

      What should I do next? My eyes wandered around the room, and into the next: the kitchen. I glanced to my side and saw the girl's pale skin, and the bones that seemed like they wanted to break through her skin. “Wait here a moment,” I told her as I walked toward the kitchen.

      I searched the kitchen for some suitable food, and I found a note stuck to the refrigerator with a magnet:
I'll be home late tonight. There's some leftover stew in the fridge if you're hungry.
-Mom

I poured a bowl of the stew and microwaved it. I looked back into the living room while it was cooking. The girl had perked up; she'd pulled her face out of her hands and was watching me. The microwave beeped, and I set the bowl out on the kitchen counter with a spoon.

      The girl looked at me hesitantly. I nodded and beckoned to her with a short “come here.” She shed the blanked and ambled unsteadily into the kitchen. Gingerly, she climbed onto the bar stool at the counter. I watched her sit perfectly, perhaps even painfully, straight. Her head bowed as she sipped spoonfuls of broth. I could see a dull fear in her eyes through her appetite. She ate each spoonful with care, and closed her eyes in what must have been ecstasy. Whatever she'd been fed at the manor was either inadequate, or too unpleasant to eat.

      A silence fell over us and lasted a while. The only audible sounds were the mechanical hum of the air conditioning, and the light clink! of a metal spoon when it touched the sides of the bowl. Eventually, I thought it might be a good opportunity to coax a few answers out of her. I asked, “How did you escape?” She swallowed and placed the spoon on the counter, and took on an expression of contemplation.

      “I... I don't know. Someone forgot to lock my door. I snuck out of my room and looked for an escape. I wandered around for a while before I realized I was lost. Then I heard someone coming, and I hid in a closet. I saw someone different, you, through a crack in the door and...” she trailed off, and her eyes lifted. “...and I felt I could trust you.”

      I nodded, and absorbed her words for a moment. I tried another question, “Why were you there?” Her face tightened bitterly, as if her skin were trying to hold back a flood of tears.

      “My family was poor. My mother was sick; my father lost his job. The Dernes... they took me in. My parents had to let me go, but I- I just didn't want to leave. We tried sending letters, but they stopped coming...” The tightened dam in her skin seemed to form cracks; she hopelessly swept the tears away, only to have them return in greater volume. I hurried around the counter to the stool adjacent to hers.

      She wept. Through her gasps for air and tear-strangled voice, her words were a distorted wail. I couldn't tell what she was saying; I couldn't tell her anything. I let the flood run its course. With some hesitation, I rested a hand on her back. I wanted so much to tell her that she's safe, that she'd be all right, but I didn't. I didn't want to give her superficial, overused words. I just stayed by her side, and let my palm rub circles around her back.

      The sobs eventually slowed. The water behind the dam had drained for now. I spoke first into the returning silence: “Tell me your name.”

      She lifted her head and looked to me. An odd glimmer of hopefulness shined in her tear-swollen eyes. “Saoirse,” she said.

      I repeated the name in my mind, then aloud. “Saoirse,” I said, “I'll help you. We'll take it slowly. Just tell me anything you need to say; I'll help you.”

      Solemn and silent, Saoirse wiped her eyes and nodded.

---
*Note: "Saoirse" is pronounced "Seer-sha."

Tuesday, April 5, 2011

Derne Manor

      The old Derne Manor always seemed like it could suck you in. Each room, shrouded by sheer curtains, gave off a warm, yellow light. The groundskeeper neatly mowed the grass and trimmed the hedges, despite the fact the owners had died years ago. A driveway extended from the garage to the street, and a short sidewalk connected the driveway to the front door.

      I stopped as I walked past. Every facet and notch in the glass door glistened in the sunlight. The grass seemed especially green today, as if someone painstakingly painted each individual blade. I wondered what lay inside the house, having only seen its exterior. The past owners were a private couple, and rarely invited anyone inside. The maids and chefs of the manor, though, could still be seen coming and going from the house as if the owners had never passed away.

      A breeze blew by, and the glass door creaked open. Nobody walked out; nobody passed through the foyer. An old curiosity bubbled up inside my mind, and I began fantasizing about the inside of the Old Manor. My head churned and spun with questions.

      Soon, I realized I'd walked across the lawn: I was standing on the doorstep of Derne Manor.

      I stepped inside and looked around. Light shone in through a window and struck a chandelier hanging in the foyer – little rainbows spotted the walls. The room was circular, and had a wide spiral staircase that led up to the next floor. Outward from the center were three hallways: one straight across from the door, one to the left, and one to the right. I pondered for a moment as to where I should go, but I halted my pondering and bolted down the right passage when I saw a shadow coming into the middle hall. As I hid behind a large house plant, I watched a pair of maids turn down the passage that was on my left. One of them mentioned a lock and a cell. The other one replied with something about a key.

      I shrugged and continued down the hall after I was sure they wouldn't suspect me. As I wandered along the plush-carpet hallways, I spied many paintings and house plants – some exotic, some domestic – and all manner of interesting statues. Some were human, some were simply abstract sculptures. Along the undecorated parts of the walls were doors and light fixtures at regular intervals. I didn't dare open any doors, though, for fear that someone might be waiting inside.

      I turned a few corners and climbed an odd staircase. It felt claustrophobic, as if it led to the attic. The floor it led to appeared to have narrower and emptier hallways. The carpet looked faded. The lights had a sickly yellow color to them, rather than the bright, pure white that lit the ground floor. All the hallways seemed the same, and they branched out continuously like a maze, a trap.

      Footsteps shuffled somewhere behind me. I turned to see them and saw a shadow looming around a corner. As quickly and quietly as possible, I ran to hide at the next junction in the hall. Something caught me while I hurried down the passage, though, and I fell into a dark room. The door closed, and a hand fell over my mouth.

      “Please don't scream,” pleaded a voice. It sounded female, near my age. I heard something weak and unsteady in her voice. She flicked on a flashlight and propped it up against a shoe. I could see that we were in a closet. Her face was thin; her cheekbones protruded. I saw her hands shaking from weakness and apparent malnutrition. But as much as she trembled, her eyes stood still. Fear and pain poured out of her eyes like blood from an open wound; badly-healed wounds covered her body. Her wrists bore abrasions from rope. Her emaciated voice begged again, “help me escape. Help me.” I could feel the desperation radiate off her face like the heat from the flashlight in the corner. Something inside me came to life, as if I'd long forgotten a lust for vengeance or vendetta. It scared me, but what scared me more was the thought that if I left this disheveled and lonely girl behind, something worse would happen to her. Gently, I peeled her fingers off my lips and whispered, “I'll try.”

      I had no idea who she was. But despite that, I cracked the door and peered out into the hall. Behind me, the girl switched off the light. Devoid of life and footsteps, the hallway was clear. I tapped her lightly on the wrist and pointed out into the hall. We crept toward a nearby stairwell. The girl kept her bony hand on my shoulder the whole time. I clasped my hand over hers to reassure her as we descended the stairs. I checked around the corners at the bottom. Empty halls, save for a few house plants and sculptures. Bright white lights lit the hallway.

     It wasn't the hallway I walked through earlier, though. It had windows instead of doors, meaning I probably had a good long sneaking ahead of me to reach the door. “We'll be out soon,” I lied. Weakly, the girl smiled. I wished I could have been right about leaving soon, but I smiled reassuringly and led the two of us to the right. Between checking for hiding spots and watching for signs of housekeepers, I looked out the windows. It didn't look like the front lawn – in fact, it didn't look like any part of the property I'd seen. The view was full of trees and had a cobblestone pathway leading deep into the woods. I concluded we were on the backside of the house.

     I pressed us onward, though I could tell by her panting that my companion was tired. In her condition, she had every right to be, but I had to encourage her to keep going. I wished as much as she did that we could just rest, but wishing would only land her back in whatever nightmare she crawled out of. I held her hand with my arm awkwardly twisted behind me. When I glanced over my shoulder, I could see a light smile of relief. I nodded.

     We reached a corner, and I peeked around it. A well-placed houseplant provided adequate cover, though it wasn't needed: the passage was clear, and had the familiar pattern of door-light-door along its wall. The statues and paintings seemed more dense. I squeezed the girl's hand, and whispered, “nearly there.” She squeezed back tighter; I felt fear and hope in her grip.

     Before I could hear her whisper back, though, I heard a far more terrifying sound: the clunk! of a door as it shut. I whirled around to see a maid standing, staring back at us. I felt my companion freeze up – her hand seemed to turn to stone in mine.

     “An escape!” shouted the maid. It shook the house. A painting looked as if it nearly jumped off the wall. I pulled at the girl's arm, but she stood still. I quickly hoisted her onto my shoulder and steadied her with my free hand on her back. The cleaning lady swiftly gave chase.

     I felt the girl fall limp in my arms, but I could still feel her breathing. I clutched her closer and pushed myself onward, as I could still hear the shouting of the maid, and a dozen other pairs of feet stomping and scrambling above me. But around another turn in the hall, I could see a glorious sight: the foyer. Still, the little rainbow spots dotted the walls, and the afternoon sun shone in through the door. I dashed toward it. People began to pour down the wide spiral staircase.

     But through a door blown open by a summer breeze, I managed to escape, girl in arms. Angry voices spread across the lawn behind me, but I didn't turn back to look. I didn't stop to think, to rest. I only ran. Past the hedges along the edge of the lawn. Past every mailbox and driveway. The branches of willow trees seemed to reach out to me as I sprinted, but I didn't accept their invitations: I only ran. Footstep after footstep, heartbeat after heartbeat. I embraced the girl tightly to me as I carried her.

     A friendly sight came into view, eventually. The sidewalks of the two sides of the street looped around and merged into one, encompassing a circle of black asphalt. Beyond that cul-de-sac lie my house. My hand left the girl's back and fumbled with the doorknob at the front door. I didn't hear any angry voices, but all I could hear was the sound of my heart pounding in my ears.

      I entered and shut the door. Breathing heavily, I lumbered over to the couch. The stranger I carried in my arms spread out peacefully on its cushions. I slumped down into the chair across the room and panted. Her breathing was steady, slow. She seemed peaceful, almost happy.

     And I wondered how I would explain trespassing in Derne Manor and bringing home a complete stranger. I wondered how she'd feel upon awakening. I wondered what they did to her.

      And I wondered what her name was.

(Edit: Second Revision - 4/6/11)

Wednesday, March 30, 2011

Sea of Desolation

      Water. Floating in water. A pair of eyes blink open; a consciousness springs to life. At first, the thoughts are blurred. The urges, primal. Hunger, drowsiness, thirst. But then, a new emotion emerges: loneliness. The only other breath is the gentle sea breeze; the only other pulse is the tender rocking of waves. As far as the eye can see is nothing but water and sky. The dim light of early morning tints the sky. The sun makes no effort to rise above the horizon. Time stands still.

      The consciousness begins to shift away from its instinctive processes to coherent thought. Panicked, but coherent. It thinks, “Where am I? How am I floating? What's happening?” The eyes of the consciousness drift around. They find its body attached beneath the head, as would be natural. The figure is female. The young woman reaches to her face and rubs her eyes – they're hers. All of the body she sees is hers. All of her is there, floating in the middle of an endless ocean.

      The pangs of loneliness continue. Wind blows across her face, softly teasing her hair. Sunlight still refuses to lift itself above the horizon. Frozen in time, the young woman still floats in her sea of desolation. Naked, anxious, alone.

      Then she hears a sound. The sloshing of a rowboat through salt water sends ripples to her through the air and the water. A group of men murmur as they paddle their way through the water. The young woman in the water cries for help; the men give no reply. She tries to swim toward them, but they only drift farther and farther away. Eventually, they disappear into the haze of the dark horizon.

      Panicking, the girl swims after them hoping she might reach shore. She soon discovers that her efforts are fruitless. Waves push her back whenever she swims too far. The sounds of other watercraft torture her as they pass on the very edge of sight. After the craft all fade into the distance, a new sound roars in her ears: Thunder. Clouds appear in what seems like mere seconds. The waves turn from hills and gullies to mountains and valleys. Wave after wave crashes on the young woman's head. She thrashes about to stay afloat, and screams for help. Only the thunder replies. Her final call attacks a nearby flash of lightning.

      She awakens, screaming loudly enough to shatter glass in the heavens. The girl feels a dip in her bed, and an arm around her shoulder. A voice whispers in her ear, only to be lost in her own cries. Finally, a hand comes over her mouth.

      “Shh... it's just a nightmare, Maria,” croons the voice. Maria exhales the air for a scream in a sigh, and pants to catch her breath.

      Maria falls back into the arm around her shoulder, and looks up to where the voice was. She sees her sister, Althea, whose eyes glowed peacefully in the moonlight. The hand lifts off her mouth. She attempts to speak, but can only exhale. Inhale, exhale.

      Althea strokes her younger sister's hair with her free hand as she glances out the window. The waves on the ocean crest with a moonlit foam. She returns her gaze to her sister's terrified eyes. “Do you want to tell me?” Maria nods and draws a deep breath.

      She chokes out the details. Awakening, floating, despairing, drowning. She rubs her eyes to drive the tears away. Althea lifts her sister's chin and turns it to the window. “You see that?” she whispers. “You'll never be on that ocean alone. Don't worry.”

      Maria nods, and wraps her arm around her sister's abdomen. She wipes her eyes with her free hand and sniffs. Her sister squeezes her shoulder with a one-armed hug and says, “dream sweetly, Maria.”

      Maria watches her sister step lightly across the room, and settles down into bed herself before giving one last look out the window.

      “I hope you're right. I don't want to be alone.”